'If You Ever Get Lonely,' the new single from Love and Theft, makes vanilla taste like chili powder. The song was previously recorded by former Bad English singer John Waite, and Stephen Barker Liles and Eric Gunderson do little to put their individual marks on the story or production.
Morgan Frazier plays Dorothy to the men she comes upon in her major label debut single 'Yellow Brick Road,' but she's hardly the shy, nervous character from the famous narrative. The 'Wizard of Oz' metaphor that drives this rocker is a clever way for the 19-year-old to get noticed, but the power of her voice is what will ultimately impress country music fans.
Dierks Bentley breaks from his longtime producer Brett Beavers to record his new single 'Bourbon in Kentucky.' Sonically, the song is more experimental than anything the Batman and Robin duo put together. Beavers and Bentley's best work shook like a rattlesnake or pierced deep into the veins with a heartbreaking poison capable of inducing painful flashbacks of past relationships. Few have been as successful over the past decade.
Perhaps it should be no surprise that after five months spent judging 'American Idol,' Keith Urban has delivered his most pop-friendly single to date in 'Little Bit of Everything.' The talented singer and guitarist uses tricks in production that a less established singer would be skewered for. The result is a delightful summer jam that's short on nutritional content.
Meet the new Lauren Alaina. With just a few weeks of her senior year of high school remaining, the singer introduces a grown-up new look, grown-up style and grown-up attitude with her latest single, 'Barefoot and Buckwild.' It's especially difficult to find songs that fit when you're short on life experience, so the one-time 'American Idol' runner-up wrote her own ...
Joe Nichols' voice always has a way of putting one in a trance, and his performance on the new single 'Sunny and 75' is no less effective. He's pure country gold, and when he's paired with a great song, there are few surer things in Nashville.
The best moments on Lady Antebellum's fourth album 'Golden' find Charles Kelley or Hillary Scott singing solo, with minimal help from the other on harmonies. There is no shortage of songs that act as features for the two talented vocalists. The evolution of the trio finds them becoming a dual threat super power instead of a two-headed pop-rock-country group.
Eric Paslay's new single 'Friday Night' genuinely feels like a carefree, summertime Friday night. It's wide-open, catchy and easy to fall in love with, even if it's not exactly crammed full of tangible memories. Paslay puts his stamp on this uptempo pop-country cut. His performance is charming without becoming distracting.
In general, songs that paint an entire group of people with one broad brush stroke don't fare well on country radio, but Joanna Smith is hoping to prove 'em wrong with her new single 'Girls Are Crazy.' The peppy new track is fun and flirty, and a short hop backward for women in country music.
'Dance Baby Dance' is one of the finest songs of Chris Cagle's career -- perhaps his best ballad. A few fathers (and maybe a couple of mothers) will be wiping away tears before the end of the first verse. He hits that sweet spot between familiar and hokey.
Brad Paisley's 'Wheelhouse' delivers a familiar mix of humor, life lessons and scorching guitar solos, but it does it in a way different from any of the other eight albums the 'Beat This Summer' singer has released. He took his old formula, balled it up, lit it on fire and tossed the ashes in the garbage. The result is a meaty and ambitious project that doesn't always click, but clears new ground when it does.
